Here below, you will find all of my Art Series released on Foundation.
I would like to remind you that each individual 1/1 is accompanied by its corresponding original painting
(and the collector will receive it at no additional cost - I will personally take care of all shipping details).
You just need to click on one of the pieces to view it in its collection and check whether it has already been collected or not.
(The collections are updated frequently).
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GARMONBOZIA (1/1s, Limited Editions, Open Editions)
🌲 GARMONBOZIA (1/1s, Limited Editions, Open Editions)
"Garmonbozia" is the closest thing to reality.
The best method to represent a feeling is to let it flow out of us without constraint into forms. In fact, in our minds, these feelings appear as star formations, bursts of color, and nebulous vibrations. We would define the whole as an abstract constellation.
Indeed, the most nihilistic individuals might find themselves saying that nothing we feel can be considered true, real, since it's impossible to define. Nothing could be further from the truth. If we take for granted that a ghost does not exist (and I, honestly, cannot know if this statement is true or not), what does exist are the sensations that its possible existence in the material world leaves us with. Just like the word "ghost" itself.
The feeling is defined, but its "plastic" representation will hardly be - unless one wants to risk falling into a banal figurativism of the human body. And that is why I believe abstraction is the closest representation to what is true, what is real. An example that supports my thesis is the following: Imagine you are faced with a set of brushes and objects that you can use to leave a mark on a flat, two-dimensional surface, and a tin bucket containing ink. If I were to ask you to leave a mark with the materials you have at your disposal, this will be the exact representation of your current condition. Why am I sure? Because if you were sad or angry, the marks would tend to be less rich in ink but full of straight lines and well-defined marks, perhaps dotted and concentrated in a limited area. On the other hand, if you were happy, the marks would be softer, rounder, comma-shaped, they would find themselves again, and the ink would be sparingly used over the entire available surface.
It's impossible to define a sensation, so we must allow it to define itself. Colors carry with them primal, innate feelings. Movement is closely linked to the emotion in question. The centrifugal and centripetal forces present in them are accentuated by color and inevitably coexist and resonate within us.
So, as unreal as these artistic creations may appear to most because they are immersed in the world of matter, covered by the so-called "veil of Maya", they carry sincere feelings, vibrations, and the culture of a human being within them.